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James Fennell

Magical Cavern, Mexico

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Artist and composer Mario Avila has enjoyed a colourful life. An accomplished guitarist and singer, he has also focused on sculpting, his primary materials being clay, cement and stained glass. In 1996 Mario Avila built a large clay sculpture, slapped a front door on it, and moved in. Located at the foot of Cerra del Tepozteco, it is an intriguing cavern-like home of elongated warrens, gnarled pillars and sunken foot baths, a spontaneous and ever-evolving work in progress, that serves to...
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Artist and composer Mario Avila has enjoyed a colourful life. An accomplished guitarist and singer, he has also focused on sculpting, his primary materials being clay, cement and stained glass. In 1996 Mario Avila built a large clay sculpture, slapped a front door on it, and moved in. Located at the foot of Cerra del Tepozteco, it is an intriguing cavern-like home of elongated warrens, gnarled pillars and sunken foot baths, a spontaneous and ever-evolving work in progress, that serves to stimulate Mario's passion for creativity
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  • Mario Avila's sculptural home at the foot of Cerra del Tepozteco mountian in Mexico
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  • Sculptor, Mario Avila transformed a typical Mexican red-bricked bungalow into one of his artworks, cladding its walls with a clay mixture of cement, earth, sand and horse dung
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  • Avila's home has an element of the cloister about it, with long corridors lit by natural light filtering in through arched windows
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  • Softly formed arches and pillars support stained glass windows, allowing maximum light into the house throughout the whole day
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  • Spontaneously posed bas-relief figures carved into the clay walls give the house a hint of an elfin grotto
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  • Traditional arches held up by sturdy pillars appear to descend into writhing, organic tree forms by the time they reach the end of this corridor; a testament to the nature of Avila's home
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  • Light from a stained glass window filters through the swirling root sculpture that forms the doorway at the end of this corridor
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  • Cut out shapes in the clay walls of the open plan, double-height living area allow as much natural light into the space as possible
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  • An organically curved staircase leads up from the ground floor livng area
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  • Seating has been formed out of the same clay used for the walls, blending it seemlessly into the structure of the house
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  • Bas-relief carvings decorate the clay pillars in the living area, while more artwork is displayed in alcoves around the house
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  • The cavernous structures of the building, combined with the delicately carved bas-reliefs on the walls, gives the sense of an ancient cave dwelling
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  • Everywhere one looks in the house there is some form of artwork; be it a free standing statue, a wall carving, or a  stained glass window; there is no divide between house and art
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  • The kitchen is also formed of cleverly structured niches; one for sitting in, lit by a stained glass window, one for cooking in, and artfully modelled shelving for storing food and tableware
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  • The extraordinary elevated reading area has floor to ceiling shelving modelled from clay and an intricately patterned wood floor
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  • Small steps lead up to an elevated reading area, with floor to ceiling book shelves and a banquette window seat
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  • A wash basin installed into a deep alcove with open shelving lies behind a doorway overlooked by tiny carved figures on the wall
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  • Mosaic tiles appear to creep up from the floor and over the wash basin and bath of this artfully crafted bathroom, lit by colourful glass panes and natural light from above
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  • Mario Avila stands proudly on the roof of his clay house, named Tlacatapol Nahuatal (for The Man Above)
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